1. |
As Long as I Know
02:36
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I am missing you again
And it is only just after walk’s end
It’s a different feeling when I know
That you’re coming home to me through the snow
Your warmth eases my heart
The heart and the feeling of being apart
Body as warm as your soul
I’ll never be cold
As long as I know
It has been a long year
That ended yesterday
It has been a lonely year
I like being able to stay
Your warmth eases my heart
The heart and the feeling of being apart
Body as warm as your soul
I’ll never be cold
As long as I know
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2. |
Ride, Ride, Ride
03:11
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Headwind on the mountain
Oh give me the cool rush
Descending on the road
Wind is blowing from the pinnacle to the river
And then winding me… back home
In the dark the road it opens slow
And it gives just enough time to let me know
To bend it left, or straight ahead
Or right, toward my rightful bed
And how about we ride, ride, ride
Come to our rest place and just keel
And we don’t care, care, care
If it’s a dream or if it’s real
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3. |
A Small Crush
03:04
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I chose carefully, words that spoke unfully that day
That day
Looking out my window, waiting to be found
Maybe unspoken love could use more sound some days
Some days
Stumbling upon you night and day
I go for a walk in case you come my way
Nothing in common but there’s lots to say
I am feeding the eyes that hold me under sway
Today
Woe is me, I have no choice
No picture to keep, no passionate voice today
I chose carefully, words that spoke unfully that day
That day
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4. |
Married to the Job
03:47
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Tried playing the part in the daylight
It made coming home
It made nighttime a delight
I tell myself that I’ll quit
I wrote it down
To remind me of how strongly I feel about it
But I’m still here, I’m still here
I tell myself that I’ll quit
But I’m still here
Oh, I’m still here
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Sainthill Melbourne, Australia
Melbourne songwriter Sainthill (aka Tom Larkey) creates dream pop with allusions to indie rock and folk. Tales of outsiders, animals, and landscapes tangle with emotive melodies and soundscapes. Sainthill’s work has been described by critic Marty Jones (Rhythms Magazine) as “intelligent and beautiful music” ... more
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